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Something is missing in Tom's life. His marriage has lost its spark, his job is suffocating him, and his childhood best friend Dan still clings to the past. Every day he goes through the motions, becoming increasingly detached from those around him. Dan has the solution... something Tom's got to see to believe... tonight. What Dan shows him leaves Tom unsettled, flooding his mind with disturbing images, and binding the two friends together with its ugly secret.

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A scientific expedition to Loch Ness runs into trouble when the group leader is killed in a mysterious diving accident. Soon after, when the unorthodox Professor Howell shows up to take over as leader of the group, more strange incidents and attacks start to occur. While Howell and TV producer Elizabeth Borden are busy investigating the source of the attacks, the body of an enormous sea creature washes up on the lake's shore.

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A corrupt young man somehow keeps his youthful beauty eternally, but a special painting gradually reveals his inner ugliness to all.

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No overview found.

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Too Fine and his friends Finny, Pushy and Rage hope to set up a successful urban underground garage...

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Alluring Hedy Lamarr plays Jenny, a lusty, sociopathic lass in the wilds of 18th Century Bangor, Maine, who uses her beauty to snare a local, rich, middle-aged businessman (Gene Lockhart). She then seduces his weak-willed son (Louis Hayward) and later goes after John (George Sanders)-- a tall, dark, handsome woodsman engaged to her friend.



Bangor is mine and it owes me a living.The Strange Woman is directed by Edgar G. Ulmer who also co-writes the screenplay with Hunt Stromberg and Herb Matthews from the novel of the same name written by Ben Ames Williams. It stars Hedy Lamarr, George Sanders, Louis Hayward, Gene Lockhart, Hilary Brooke, Rhys Williams and June Storey. Music is by Carmen Dragon and cinematography by Lucien N. Andriot.I dont want the youngest. I want the richest!Well well, what an intriguing little period noir this is. Story deals with Jenny Hagar (Lamarr), a strong and scheming woman who in 1840s Bangor in Maine, uses men for her own gains whilst exuding a double persona that shunts her into the upper echelons of the towns standings. But, as we become privy to Jennys back story and psychological make-up, you can feel that cloud of pessimism closing in.There will always be arguments put forward about if the likes of The Strange Woman should be classed as noir or not, but with Ulmer and Andriot cloaking the tale with claustrophobic shadows and low lights, the blacks and whites atmospherically used, thus the visuals are in place to marry up with the story, and what a story. Jenny Hagar is a classic femme fatale, in fact fatalistic could be her middle name. We get a sneak peak of her deviousness as a child, and then we see her as a luscious older beauty, dangling men around her fingers and fully committed to marrying purely for money. What follows Jenny around is murder, suicide, incest, seduction, greed, violence and alcoholism! And of course, self-destruction.Jenny has no qualms about who she tramples on to achieve her ends, but the kicker in her story is that she does have good in her fighting to get out, she can be charitable at times, and as we come to understand her upbringing she even garners a level of sympathy from the audience. Its this dual aspect of her make-up that intrigues greatly, but shes fighting a losing battle, more so as Bangor is the wrong place for her, itself a confused mess of unsavoury or spoilt characters.There were problems behind the scenes, but so many conflicting reports exist its hard to know what is true and who was pulling the main strings. What we do know is that Ulmer, armed with a bigger budget than usual, has crafted a moody and daring picture that strikes devilish notes without banging the drum too loudly. Striking scenes and imagery are many, thunderstorm seduction, lairy lumberjacks, river of death and the big finale are just some of the moments showing what Ulmer was capable off. While Lamarr, for her pet project to move her into darker roles and be taken seriously as an actress, turns in a top performance. Unafraid of the material, she cuts loose with a blend of sexual dynamism and troubled soul. Around her are fine performances from Lockhart, Hayward and Brooke, though Sanders is a touch out of place. The pace sometimes sags, and motivations and actions of support characters could have been more fleshy, but in the main this is well worth taking a stroll down a dark alley for. 7.5/10

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An executive (Dave Foley) after being passed over for a promotion to president storms into his office only to find the man who got the promotion dead. Assuming everyone will think he committed the crime he takes off as a fugitive...

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This movie tells the story of a group of right-wing cops have begun carrying out vigilante justice on drug dealers and other crime figures who might otherwise avoid punishment for their misdeeds. Police inspector Grindel (Delon) understands the feelings which motivate these deeds, but does not approve. However, he is not highly motivated to put an end to the group's activities until it begins to appear that they are now attacking fellow cops for reasons which are unclear.

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A shiftless dreamer, Michael Rogers (Hywel Bennett) fantasizes about a lifestyle above his means and marries a wealthy, young girl, Ellie Thomsen (Hayley Mills) who just came of age. They hire a famous architect to build their dream home amidst a series of suspicious incidents. The spouse has dark intentions toward his naive, inexperienced bride. Secrets from his past and sinister ties to their houseguest Greta (Britt Ekland), lead to a terrible turn of unexpected events.

Victim... or killer?